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Was the only way to go on Night 2 of the Blind Auditions… down? Season 17 of The Voice started on such a high note Monday that it seemed possible, perhaps even likely. The premiere had been a big enough hoot that neither I nor quite a few of you had really noticed Adam Levine’s absence. And the talent was promising: I gave three singers A’s — and was trying hard to grade critically rather than excitedly — and really dug several more contestants that hadn’t scored as highly. (Lookin’ at you, Will Breman.) So I feared we’d been set up for a Tuesday-night letdown (despite the promos’ promise of a fight between “Mom and Dad”). And had we been set up? Read on, and we’ll discuss as we review the newest additions to Blake Shelton, Kelly Clarkson, John Legend and Gwen Stefani’s teams.
Shane Q (Team Kelly), “Tennessee Whiskey” — Grade: B- | When this 28-year-old hit the stage with his super-soulful Chris Stapleton cover, he quickly established himself as the runner to beat. Seriously, it was like one run after another after another. And each of them was nicely rendered — so nicely that he got a four-chair turn. But — and maybe this was me being cynical instead of overenthusiastic for a change — I eventually started thinking, “Got any other tricks up your sleeve?” It was like the law of diminishing returns. What he delivered was very good; I just wanted more. So I’ll be curious to see if down the road we get it.
Hello Sunday (Team Kelly), “This Is Me” — Grade: B- | Presented at first as an actual blind Blind Audition, Hello Sunday wasn’t hard to peg as a duo. And both of the youngsters — Myla and Chelsea, who were quick to point out that they aren’t sisters — sang well, trading parts to hit their highs and lows. But this wasn’t a real “Wow,” not like, say, Katie Kadan or Rose Short Monday. The kids were adorable, energetic and talented but maybe not extraordinary enough (at their ages? at this stage of their development?) to really go the distance. Perhaps that was why they only got a chair turn from Kelly.
Elise Azkoul (Team Gwen), “Million Reasons” — Grade: C | A Lebanese American, whose forebears include the writers of Donna Summer’s “Last Dance” and the Weather Girls’ “It’s Raining Men,” Elise had an interesting tone to her voice and a nice, controlled vibrato. But she sounded a little flat here and there, and just overall lacking the power to stand out from the crowd. Gwen, on the other hand, thought that all she was lacking was confidence. She was beyond into Elise’s “calm, soothing” tone.
So, what did you think of Tuesday’s Blinds? After Monday, I thought they were kinda a letdown overall (though I did especially like Max and Cory). Vote for the evening’s standout below, then hit the comments.
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