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SF Jewish Film Festival
Bobbi Salvor Menuez, left, and Nicholas Alexander form an unlikely romantic bond in “Adam.”
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SF Jewish Film Festival
David Kross’s moving performance as a soccer star and former German POW is one of the highlights in “The Keeper.”
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SF Jewish Film Festival
Photographer Amos Nachoum pursues his lifelong ambition to shoot a polar bear — underwater — in the documentary “The Picture of His Life.”
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SF Jewish Film Festival
A writing professor (played by Justin Long, left) and his family go through a series of challenges in the comedy “Safe Spaces.”
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SF Jewish Film Festival
“My Polish Honeymoon” begins as breezy comedy and shifts to more compelling territory.
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SF Jewish Film Festival
An employee for a Palestinian soap opera befriends an Israeli checkpoint director — with mixed results — in the comedy “Tel Aviv on Fire.”
In its 39th year, the San Francisco Jewish Film Festival retains its status as one of the finest curated cinematic experiences in the Bay Area.
The festival brings numerous filmmakers to the Bay Area, with screenings and events in San Francisco, Palo Alto, Albany, Oakland and San Rafael.
“Fiddler on the Roof” devotees will want to catch the July 18 opening night screening of “Fiddler: A Miracle of Miracles,” a documentary on the beloved musical. The San Francisco segment’s closing night film is the star-studded “The Red Sea Diving Resort,” a theatrical take on an real-life ’80s real-life mission to secretly relocate refugees from Sudan to Israel. It features Chris Evans, Haley Bennett, Michael Kenneth Williams, Greg Kinnear and Ben Kingsley
There are special events as well, including “HerStory,” a program that includes a panel discussion on the male-dominated world of film criticism, along with a slate of films focusing on women or directed by them. The program includes a screening of “What She Said: The Art of Pauline Kael,” a documentary on the career and life of the late film critic and former Berkeley resident. Other events include: Take Action Day (July 22), the Next Wave program, which spotlights works of up-and-coming filmmakers; and a Community Shabbat Dinner (July 19).
As for which films you should see — we have a few suggestions:
“Adam”: The premise of someone pretending to be the opposite sex to attract a person they’re crushing on isn’t revolutionary. But this funny, pointed and realistic drama from filmmaker Rhys Ernst handles the topic with raw honesty, illustrating how a person really feels in such situations. All the characters are well-written and well-played, from the bumbling and gangly Adam (Nicholas Alexander) to his in-and-out-of-love lesbian sister Casey (Margaret Qualley). Screening: 6:15 p.m. July 23, the Castro, San Francisco.
“Advocate”: Berkeley native Rachel Leah Jones rivets us from the start with this intense, in-the-moment documentary on Lea Tsemel, an obsessively driven and gruff Israeli attorney defending Palestinians. Jones’s feature opens a window to who her subject is, while taking on the qualities of a legal thriller as Tsemel and her co-attorney defend a 13-year-old accused of knife attacks. It’s one of my favorite documentaries of 2019. Screenings: 3:20 p.m. at the Castro; 5:50 July 28 at Albany Twin).
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“The Keeper”: An inspirational biopic about a broken person gaining redemption and a new life through athletics is always welcome. Particularly when it’s done as well as Marcus Rosenmuller’s epic and elegant post-World War II feature. David Kross’s modulated performance as a German POW whose soccer skills kick him into the big leagues hits you particularly hard near the end. The story seems literary, but it’s actually true. Screenings: 5:50 p.m. July 22 at CineArts, Palo Alto; 6:20 p.m. July 26 at the Castro; 8:30 p.m. July 29 at Albany Twin; 1:45 p.m. Aug. 4 at Smith Rafael, San Rafael.
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“My Polish Honeymoon”: A much-delayed honeymoon materializes for a neurotic couple living in Paris, sending them on an unforgettable journey. Control-freak Anna (Judith Chemla) reluctantly leaves her daughter in the charge of her parents. Once she arrives in Poland, she lets go a little as she discovers more about her husband (Arthur Igual) and her herself. Elise Otzenberger’s dramedy breezes along and later hits us with some unexpectedly moving moments. It’s a find. Screenings: 6:10 p.m. July 20 at CineArts; 8:55 p.m. July 23 at the Castro; 6:25 p.m. July 30 at Albany Twin; 11:45 a.m. Aug. 4 at Smith Rafael.
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“Picture of His Life”: Amos Nachoum, an accomplished underwater photographer, confronts two of his life’s greatest fears: his tormented relationship with his father and his quest to swim with and photograph a polar bear. Dani Menkin and Yonatan Nir’s documentary fills in the blanks about what compels and haunts this celebrated man. The underwater sequences are gorgeous and gripping. If you loved “Free Solo,” you’ll enjoy this. Screenings: 6:30 p.m. July 25 at Albany Twin: 2:15 p.m. July 28 at the Castro; 4:15 p.m. Aug. 4 at Smith Rafael.
“Safe Spaces”: A creative writing prof (Justin Long in an outstanding performance) brings up blatantly inappropriate sexual comments in his class, making a student uncomfortable and triggering an internal review. At the same time, his witty grandmother is fending off death as his dysfunctional family grapples with a variety of issues. Director/screenwriter Daniel Schechter’s topical family drama is funny, touching and thought-provoking, a confident feature that doesn’t need to wrap all situations up neatly. Screenings: 8:50 p.m. July 20 at the Castro; 6:10 p.m. July 21 at CineArts; 8:30 p.m. July 31 at Albany Twin; 6:30 p.m. Aug. 4 at Smith Rafael.
“Tel Aviv on Fire”: A cheesy but popular soap opera undergoes major story changes, resulting in unexpected alliances, ambitions and attractions in this clever comedy. The soap — “Tel Aviv on Fire” — is a riot of ridiculous situations, stilted dialogue and overacting. Enter the unambitious nephew (Kais Nashif) of one of the show’s producers. Through a series of random circumstances, he becomes one of the show’s lead writers. But from where does draw his inspiration from? (My lips are sealed). If you loved “The Death to Stalin,” you’ll eat up this charmer from Sameh Zoabi. Screenings: 5:45 p.m. July 24 at CineArts; 6:10 p.m. July 25 at Castro; 6:25 p.m. July 26 at Albany Twin; 8:40 p.m. Aug. 3, at Smith Rafael.
Randy Myers is a freelance writer covering film.
SAN FRANCISCO JEWISH FILM FESTIVAL
When & where: Castro Theatre, San Francisco (July 18-28); CineArts, Palo Alto (July 20-25); Albany Twin Cinemas (July 25-Aug. 1); Piedmont Theatre, Oakland (Aug. 2-4); Smith Rafael Center, San Rafael (Aug. 2-4)
Tickets: Most screenings $11-$15; special events cost more; www.sfjff.org
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