What’s in a pronoun? Nothing — and everything when it comes to pop music, as demonstrated by a handful of songs in which gender references have been flipped by Bob Dylan, Kesha, St. Vincent, Valerie June and others in a campaign to salute the LGBTQ community.
“Universal Love,” a new six-song EP released Thursday, also includes songs from Death Cab for Cutie’s Ben Gibbard and Bloc Party’s Kele Okereke in which uses of “he/she” and “him/her” have been switched.
Dylan reworks the 1929 pop standard “She’s Funny That Way” as “He’s Funny That Way,” while Kesha revisions Janis Joplin’s “I Need a Man to Love Me” as “I Need a Woman to Love Me.”
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