20th Century Studios’ “The Call of the Wild” is doing better than industry projections expected, with Saturday morning estimates now projecting a $27.8 million opening for the family adaptation of Jack London’s short story.
© TheWrap
If that result holds after Saturday matinees, it will be enough to take the No. 1 spot from Paramount’s “Sonic the Hedgehog,” which is currently estimated for a $24.8 million second weekend. That’s a 57% drop from the film’s $58 million opening weekend, but consistent with the $25.1 million second weekend earned by “Detective Pikachu” last May. It also makes “Sonic” the first Paramount release in over a year to cross the $100 million domestic mark, the last being the “Transformers” spinoff “Bumblebee.”
“Call of the Wild” is receiving strong audience reception with an A- on CinemaScore and a 4/5 on Postrak. Critics have also been somewhat positive with a 63% Rotten Tomatoes score. However, the film’s heavy use of CGI to create its St. Bernard protagonist the animals he encounters gave this film a reported budget of $135 million, making profitability very unlikely.
Even if it flops, “The Call of the Wild” won’t be a big hit against Disney, who is distributing the film after acquiring it with the rest of 20th Century Fox. With the exception of some modest profits from a couple of films like the Oscar-winning “Ford v Ferrari” and the low-budget faith-based film “Breakthrough,” the Fox slate Disney acquired has not been a major moneymaker but rather an extra cost Disney has taken on in order to acquire recognizable IP like “Avatar” and “The Simpsons” for Disney+ and future theatrical releases.
Disney will look to make its billions at the box office with a slate that starts in two weeks with the Pixar film “Onward” and includes films like “Mulan,” “Black Widow,” and “Raya and the Last Dragon.” 20th Century Studios will also still have a chance to contribute to Disney’s annual grosses with Steven Spielberg’s adaptation of “West Side Story” in December.
In third is WB’s “Birds of Prey” with an estimated $7 million third weekend that gives it a $72 million domestic total. In fourth is the STX/Lakeshore horror film “Brahms: The Boy II,” which is estimated to take in $6 million in its opening weekend from 2,151 screens. That’s below the $10 million opening earned by the first “Boy,” but still meets both tracker and studio projections. However, reception has been poor with a C- on CinemaScore and 9% on Rotten Tomatoes.
16 Scene-Stealing Animals in Movies:
There are a lot of fun animal movies, including “A Dog’s Journey,” which opens this weekend. But the animals that most jump out at us are the ones that come from movies that are NOT about animals. They’re the ones that genuinely steal the spotlight for a moment from their human counterparts and deserve just as much acclaim. Here are 16 that stole the show.
Toto the Dog – “The Wizard of Oz”
Is there a more famous dog in the history of movies? Capable of infiltrating an army of Oz soldiers and making sure you pay attention to that man behind the curtain, we’d choose Toto, whose real name was Terry, as a pet over Lassie or Rin Tin Tin any day.
Asta the Dog – “The Thin Man”
Another classic animal star, the wire fox terrier Skippy portrayed Asta in “The Thin Man” films and over a dozen movies overall throughout the 1930s. Skippy starred opposite William Powell, Myrna Loy, Cary Grant, Katherine Hepburn and more.
Capuchin Monkey – “Raiders of the Lost Ark”
The Indiana Jones question that has plagued fans for decades centers on the capuchin monkey perched on the shoulder of a Nazi soldier that manages to do the Seig Heil salute. Does that mean the monkey was a Nazi or was it just taught to perform the gesture? And either way, did it deserve its untimely fate at the hands of the face-melting Ark?
Norman the Calf – “City Slickers”
Winning the part through a literal cattle call, Norman won the part after Billy Crystal came to the ranch where the calf was raised and picked it for having a “sweet Bambi look” and the “cutest face of all,” according to EW.
Mr. Jinx the Cat – “Meet the Parents”
Deep down every cat owner wants to believe that they might train it as well as Robert De Niro figures out how to train Mr. Jinx to use the toilet. Just don’t try to milk your own cat.
Tiger – “The Hangover”
Yes, Mike Tyson really does have three pet tigers. The screenwriters even rewrote the script to include Tyson when they decided they wanted a tiger to appear in the Wolfpack’s hotel suite.
Joey the Horse – “War Horse”
We’ll give that “War Horse” is technically a movie about an animal, but Steven Spielberg’s sweeping war epic is actually so effective in part because of the 15 horses that managed to give an expressive, unified performance as the wonder-horse Joey.
Uggie the Dog – “The Artist”
A true performer and in a way inspired by Asta from the Golden Hollywood era, Uggie often stole the stage from star Jean Dujardin both onscreen and off, making the rounds during the film’s press cycle and even getting his paw prints at the Chinese Theatre. Sadly, Uggie was put down in 2015 at age 13 after a battle with prostate cancer.
Cat – “Inside Llewyn Davis”
The cat Oscar Isaac’s Llewyn Davis holds in the Coen Brothers’ film isn’t just a lost house pet: it’s a symbol for all of Davis’s failures as a person, as a musician and as someone who can feel empathy. Plus it’s surprisingly comfortable on the subway.
Daisy the Dog – “John Wick” (2014)
Lesson learned: do not mess with John Wick’s dog. This adorable, 1-year-old beagle at the time of filming won the job over a dozen other puppies in the filmmakers search for “the cutest dog in the world” and managed to warm the heart of even the most cold-blooded of assassins as played by Keanu Reeves.
Black Phillip the Goat – “The Witch” (2016)
The goat in Robert Eggers’s indie horror gem “The Witch” is a very real, 210-pound billy goat named Charlie that gives such a devilishly good performance, turning completely demonic in a surprise twist, that A24 actually made an awards campaign promo for it. The same goat even later showed up in A24’s “It Comes at Night.”
Little Man the Bird – “I, Tonya”
The bird perched on Allison Janney’s shoulder in “I, Tonya” might’ve won her an Oscar. Janney actually “auditioned” three separate birds for the role and this one “just sat there and was so sweet,” she told the New York Times. But when the time came to film, it kept pecking at her oxygen tank, forcing her to step up her game and focus.
Olivia the Westie – “Widows” and “Game Night”
This fluffy star in the making appeared in not one but two 2018 hits, the thriller “Widows” and the comedy “Game Night.” Olivia gave an especially good performance when Brian Tyree Henry’s character in “Widows” was forced to violently pick her up by the scruff. But all’s well that ended well when the two reunited on a talk show.
Goose the Cat – “Captain Marvel”
The important thing to know about Goose is that he’s not actually a cat, but rather a “flerken,” a vicious, multi-tentacled space beast who can gobble up an army of alien soldiers and leave a permanent scratch for one Nick Fury.
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