The Han Solo origin pic is pacing well behind fellow standalone ‘Star Wars’ film ‘Rogue One.’
The Force is under siege.
Disney and Lucasfilm’s Solo: A Star Wars Story is struggling in its debut at the Memorial Day box office, where it’s coming in well behind expectations with an estimated three-day debut of $83.3 million-plus and four-day debut of $101 million (numbers will be updated Monday morning). That’s even worse than forecasts earlier in the weekend, and is the result of the summer tentpole tumbling 30 percent from Friday to Saturday, a troubling sign.
The news is grim overseas, where Solo is rolling out in most points around the globe timed to its U.S. launch, including China. The movie is bombing with $65 million, including a dismal $10.1 million launch in China. The global launch is an estimated $148.3 million.
The Han Solo origin pic is pacing well behind fellow standalone movie, Rogue One: A Star Wars Story (2016), which opened to $155 million in North America. Solo blasts off a mere five months after Star Wars: The Last Jedi hit theaters, raising the possibility of fatigue. The movie’s performance is sure to prompt Lucasfilm and Disney to reevaluate their strategy for the marquee franchise.
Solo, directed by Ron Howard, is the first of the four titles in the revitalized Star Wars franchise to brave the summer box office, versus bowing in December. The last three movies faced no immediate competition on their opening weekends, while Solo goes up against Deadpool 2, which launched a week ago and will take in a projected $53.5 million for the four-days.
Heading into the weekend, tracking suggested Solo would debut to $130 million-$150 million. Box-office observers note that the movie is playing younger than other Star Wars installments, meaning it could lure families. The film nabbed an A- CinemaScore from Friday ticket buyers, a half-grade below the A bestwowed the previous trio of films.
Rogue One is the best comp for Solo among the three new Star Wars films released by Disney and Lucasfilm.
Star Wars: Episode VII — Force Awakens, which revived the franchise after a long absence from the big screen and featured original stars from the first films, debuted to a then-record $248 million in December 2015, followed by Rogue One and, in 2017, $220 million for Last Jedi, the follow-up to Force Awakens.
Solo stars Alden Ehrenreich in the titular role opposite Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo and Paul Bettany. The story follows Han Solo as he teams with a band of misfits and mercenaries — including Lando Calrissian as well as a young Chewbacca — to stop the villainous Dryden Vos.
Howard famously took over directing duties when Lucasfilm fired Christopher Miller and Phil Lord over creative differences.
No other film dared to open nationwide opposite Solo. The movie’s chief competition is Fox and Ryan Reynold’s R-rated Deadpool 2, which grossed $42.7 million for the three-days. Through Monday, the movie’s domestic total should be $218.2 million after earning $53.5 million for the four-day holiday.
Among other holdovers, Disney/Marvel’s Avengers: Infinity War is holding at No. 3 in its fifth weekend, earning a projected $17 million for the three days and $22 million for the four days to finish the holiday with an estimated domestic total of $627 million. Over the weekend, it is passing up The Last Jedi ($620.2 million) and The Avengers ($623.4 million) to rank as No. 6 on the list of all-time top-grossing films, not adjusted for inflation.
Coming in No. 4 is Paramount’s Book Club, targeting older females. The movie is enjoying a nice hold in its second weekend, grossing $9.5 million for the three days and an estimated $12 million for the four. Book Club will finish Memorial Day with a domestic total of $34.2 million.
Magnolia and Participant’s Ruth Bader Ginsburg doc, RBG, continues to do stand-out businss at the specialty box office, coming in No. 10 with a projected four-day holiday gross of $1.5 million for a domestic total of $6 million. That’s the best showing of the year to date for a documentary.
More to come.
May 25, 12:30 p.m. Updated with revised weekend estimates.
May 26, 8:45 a.m. Updated with revised weekend estimates.
May 27, 7:30 a.m. Updated with revised weekend grosses and estimates.
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